For this project I have deployed a methodological approach that blends scholarship and creative practice. From 2016-2019, I conducted fieldwork during four trips to Mexico City, making site visits, undertaking structured observation, and engaging in conversations with vendors and customers. I also collected data available from various municipal agencies, and reportage from newspaper articles, blogs, and magazines. Meanwhile, I developed a creative practice method grounded in the production of rendered aerial views, which allowed for the identification of typologies based on the organizational logics of the street markets.

As I undertook the work, I paid particular attention to the polychromatic visual form, not as some detached work of art, but as a collection of tiny signals of the labor, commerce, and social relations unfolding below.  In the end, the study reveals the markets as expressions of an assemblage aesthetic, each a variation on a theme grounded in the cumulative daily choices, desires, routines, and thickly woven collaborations of working-class people in one of the world's great conurbations.

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